Grounded and gracious, the Seletti Magna Graecia terracotta centerpiece transforms a table into a small landscape. Designed by Antonio Aricò x Seletti, this object belongs to Centerpiece and reads as both a practical bowl and a sculptural focal point. It pairs beautifully with imaginative Seletti accessories, encouraging thoughtful arrangements and hospitality that lingers.

Material that carries memory

Hand finished in warm terracotta, the centerpiece designed by Antonio Aricò keeps the tactile traces of making: slight striations, soft pores and a matte skin that diffuses light. The surface collects shadows and dust in ways that feel honest rather than accidental and acquires a patina with use. Available also in cool blue, it is a terracotta centerpiece suitable for sleek interior layouts and both indoor tabletops and sheltered outdoor settings.

Proportion, presence and versatility

Generous in width yet modest in height, the form hosts fruit, floral clusters, candles or sculptural objects without overwhelming the table. The wide mouth makes arranging effortless, the base sits steady on rustic or refined surfaces, and the piece functions equally well as a serving bowl or a quiet punctuation on a console. It complements eye-catching Seletti lights to create layered, textural sets.

Durable, versatile, honest

Engineered for everyday use, this Seletti centerpiece tolerates casual handling and informal service. Pair it with woven placemats, hand-thrown ceramics and elegant table settings for curated, tactile settings. Its material richness and sculptural presence make it equally at home in hospitality schemes or domestic tablescapes, creating a sense of history and craft in every setting.

A simple object with a long voice

The Seletti Magna Graecia terracotta centerpiece is an invitation to slow down: durable, tactile and quietly narrative. This Mediterranean centerpiece bowl from the Magna Graecia collection adds texture, warmth and artisanal character to contemporary interiors, marrying everyday functionality with visual poetry. It is practical, expressive and a subtle nod to Seletti decorations.